baldwin-tragic

December 22, 2024

Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death — ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.

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Thought:

“I liked to do things with machines so I took up still photography, which seemed to offer that advantage, that of mediation, that of signaturelessness, of a a certain kind at least. The signature was in such things as framing and tonal scalings, abstractions as imperceptible as the infinitely thin clean line. So that one was not, as it were, the person hovering behind the artifact but rather behind the thing that made the artifact. And on the other hand, one did not have to laboriously build up this image. It was not made serially but came forward as a kind of matrix of thought instantaneously, in a manner that criticised the maker…”

Hollis Frampton | Recollections/Recreations

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