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Christian Molenaar

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Author: cdmolenaar

  • Nonsense Quotes

    October 6, 2026

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    Nothings

    Carlos Saura, the director of The Hunt (during his film festival visit to New York — after viewing Thanatopsis, Vivian, Chulum, Jerovi, The Dead and Amphetamine): Read more

  • Right Now, Wrong Then

    October 1, 2026

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    Music

    My new album Jeremiah XVII drops 10/16; preorder it here and listen to the first track below. Read more

  • The Stars Ain’t Never Gonna Leave Us

    September 24, 2026

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    Music

    The first track off Thorns, Crowhurst’s upcoming album/soundtrack/art installation/video game collaboration with artist Gage Lindsten, is now streaming at The Needle Drop. Read more

  • The Pink of Morning

    September 22, 2026

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    Nothings

    I’m loosed from my bed, an arrowand sit in the ringinghollow darknessand go out hollow into the colddark wanderinguntil the skyis latticed by the pink of morning Read more

  • FML

    September 17, 2026

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    Show

    I finally made the move to the Bay last month. Read more

  • Line Breaks, Wine Breaks

    September 10, 2026

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    Nothings

    Dorothea Lasky in The Paris Review: Read more

  • August 26, 17—

    August 26, 2026

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    Nothings

    The myth is unchained: it staggers north,insane. A ghost of lightning glowsin its eyes; its slow hands close in wrathlike child’s hands seizing flowers. Read more

  • Harmonie du soir

    August 19, 2026

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    Music

    Nina Danino asked if I’d be interested in contributing music to her new film Venice. That collaboration took a hundred twists and turns from blues rock to EDM, and now one possible version is available for you to hear. Read more

  • No toques las megarhyssa

    August 14, 2026

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    Music

    A year ago Tall Can got out of prison and we put out the last music we made together before he got locked up. A year later, his first album of new music is done. Read more

  • Letting Go

    August 11, 2026

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    Nothings

    From the journals of Bernice Bing Read more

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Thought:

“Coming from the lower reaches of the working class I find myself limited by my own monolingualism.”

Ron Silliman

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