In my films I follow an opposite trajectory to that of the makers of political films. They have a skeleton, an idea and then they put on flesh: I have in the first place the flesh, the skeleton appears later.
In my films I follow an opposite trajectory to that of the makers of political films. They have a skeleton, an idea and then they put on flesh: I have in the first place the flesh, the skeleton appears later.
“At the top of a hill our automobile stuck in a snowdrift. Peasants ran out of a cottage near by, shouting with laughter because machinery had made a fool of itself, and dug out the automobile with incredible rapidity. They were doubtless anxious to get back and tell a horse about it.”
Rebecca West | Black Lamb and Grey Falcon