Every artist is linked to a mistake with which he has a particular intimacy. All art draws its origin from an exceptional fault, each work is the implementation of this original fault, from which comes a risky plenitude and new light.
“I went to Oxford in 1979 to study classics and philosophy; I wanted the kind of formation that lunatic Pound had had, I also wanted to be able to tell a good argument from bad. So I spent an unconscionable amount of time reading the whole of Homer in Greek, the whole of Virgil in Latin (among many others); I decided at one point that I could not know anything about Greek tragedy unless I had read all extant texts, so I read the whole of Greek tragedy one summer. I didn’t have much money; I didn’t have much of a social life.”
Helen DeWitt