I don’t develop anything; I don’t prove anything. I imagine a character and place him in certain situations, then watch him behave.
I don’t develop anything; I don’t prove anything. I imagine a character and place him in certain situations, then watch him behave.
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There looms, within abjection, one of those violent, dark revolts of being, directed against a threat that seems to emanate from an exorbitant outside or inside, ejected beyond the scope of the possible, the tolerable, the thinkable. It lies there, quite close, but it cannot be assimilated. It beseeches, worries, and fascinates desire, which, nevertheless, does not let itself be seduced. Apprehensive, desire turns aside; sickened, it rejects.
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Julia Kristeva | Powers of Horror: An Essay on Abjection