I have noticed that the flatter an image is, the less it expresses, the more it will transform when it comes into contact with other images. At some point there must be transformation, or there is no art.
“I believe that the action in film must become — will become — more and more interior. And that what we have understood so far as “motion,” the kind of motion, or movement, we currently seek in films, is nothing more than restlessness.”