carson-paradox

September 5, 2024

Paradox is what takes shape on the sensitized plate of the poem, a negative image from which positive pictures can be created. Whether apprehended as a dilemma of sensation, action or value, eros prints as the same contradictory fact: love and hate converge within erotic desire.

Why?

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Thought:

“I believe that the action in film must become — will become — more and more interior. And that what we have understood so far as “motion,” the kind of motion, or movement, we currently seek in films, is nothing more than restlessness.”

Robert Bresson

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