All things worth praise
That unto Khadeeth’s mart have
From far been brought through perils over-passed,
All santal, myrrh, and spikenard that disarms
The pard’s swift anger; these would weigh but light
‘Gainst thy delights, my Khadeeth! Whence protected
By naught save her great grace that in him showeth,
My song goes forth and on her mercy calleth.
“It would do no harm, as an act of correction to both prose and verse as now written, if both rime and meter, and, in the quantity words, both sense and sound, were less in the forefront of the mind than the syllable, if the syllable, that fine creature, were more allowed to lead the harmony on. With this warning, to those who would try: to step back here to this place of the elements and minims of language, is to engage speech where it is least careless—and least logical. Listening for the syllables must be so constant and so scrupulous, the exaction must be so complete, that the assurance of the ear is purchased at the highest — 40 hours a day — price.”
Charles Olson | “Projective Verse”