Djéliya

August 15, 2025

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Film, Music

At some point a group of international film producers asked Jay if he would compose the score for Djéliya, mémoire du mandingue, the new film by Burkinabé director Boubacar Sangaré.

At some point after that Jay asked me to contribute flute to his score, and it would seem the recording process was complete.

At some point very soon after that the producers missed their option to ask for changes and we assumed the film had progressed to the mixing stage. We were wrong, of course.

At some point the film was supposed to make it into Cannes, according to the producers. They were wrong, of course.

As a mere performer I’ve mostly been on the outside of this whole episode, so rather than get anyone into further trouble I’ll simply quote Jay:

this is a score to a movie that exists, but i am not sure where it is.
we are all very proud of this score and we all worked very hard on it.
it is time for you to hear it, should you be so inclined.

Praise as ever to Jay for assembling the team here, which includes Brandon Gallagher of Trace Amount, Justin Sweatt (aka Xander Harris), Lev of 夢遊病者 and Claire Deak.

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Thought:

“When we say form, we would seem to be referring to the tangible and quite visible shape of a poem. But that’s only the widest concentric circle of what form is. Form is an invisible map. It leads you from poet to poet, century to century, country to country, language to language, culture to culture. At its most inspired, form traces our inspirations, reverences, and innovations; it’s a palimpsest of song and dance. But at its worst it’s a pyrrhic prize: form as value and for its own sake.”

Rowan Ricardo Phillips

Christian Molenaar

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