I believe that the action in film must become — will become — more and more interior. And that what we have understood so far as “motion,” the kind of motion, or movement, we currently seek in films, is nothing more than restlessness.
I believe that the action in film must become — will become — more and more interior. And that what we have understood so far as “motion,” the kind of motion, or movement, we currently seek in films, is nothing more than restlessness.