I believe that the action in film must become — will become — more and more interior. And that what we have understood so far as “motion,” the kind of motion, or movement, we currently seek in films, is nothing more than restlessness.
“You and I know (don’t we?), there is a thing and the idea of it. An other, an envy that looks human — more than, I give it such luster even it takes the air out of me — a self and an idea of it and another.”