Style in an artistic film is the product of many different components, such as the play of rhythm and composition, the mutual tension of color surfaces, the interaction of light and shadow, the measured gliding of the camera. All these things, in association with the conception that a director has of his material, determines his style…
“Death does not come down to the bitter annihilation of being – of all that I am, which expects to be once more, the very meaning of which, rather than to be, is to expect to be (as if we never received being authentically, but only the anticipation of being, which will be and is not, as if we were not the presence that we are, but the future that will be and are not); it is also that shipwreck in the nauseous.”
Georges Bataille