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A wound with blood and pus, or the sickly, acrid smell of sweat, of decay, does not signify death. In the presence of signified death — a flat encephalograph, for instance — I would understand, react, or accept. No, as in true theater, without makeup or masks, refuse and corpses show me what I permanently thrust aside in order to live. These body fluids, this defilement, this shit are what life withstands, hardly and with difficulty, on the part of death. There, I am at the border of my condition as a living being. My body extricates itself, as being alive, from that border. Such wastes drop so that I might live, until, from loss to loss, nothing remains in me and my entire body falls beyond the limit — cadere, cadaver.
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Julia Kristeva | Powers of Horror: An Essay on Abjection