Christian Molenaar

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Author: cdmolenaar

  • Phenomenon

    September 20, 2024

    ·

    Nothings

    It seems to me that space is the same as divinity Read more

  • Best Practice 9/5/24

    September 6, 2024

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    Show

    I’ve played with Nick Lesley and Jonathan Piper both together and separately, but missed their duo’s premiere at the Brown Building last month. Apparently neither had played with Stevie Richards before, but that didn’t appear to be any obstacle. Read more

  • Eight Hours Don’t Make a Day

    September 2, 2024

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    Nothings

    Ah little recks the laborer, How near his work is holding him to God. The loving Laborer through space and time. Whitman, “Song of the Exposition” Read more

  • Cowboy Ian’s a Major Player

    August 24, 2024

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    Writing

    The ever-delightful multi-hyphenate Ian Cairncross (musician, writer, videographer and podcaster of Cheap Windows/Emo Survivalist/All My Wishes fame) has recorded an excellent reading of my very short story “Cowboy.” Read more

  • Comedy of Remarriage

    August 11, 2024

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    Nothings

    When Hannah and I got married nearly five years ago, we agreed to read vows of our own writing at the ceremony. When the time came for me to read my vows, I was so overcome with emotion I found the words on the paper could do nothing to capture the sensation of the moment, Read more

  • Strangers on a Train

    July 22, 2024

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    Nothings

    I want an Amtrak hamburger. And a coffee. Read more

  • July 5

    July 5, 2024

    ·

    Nothings

    Kafka’s diary, July 5, 1914 Read more

  • July 1

    July 1, 2024

    ·

    Nothings

    Kafka’s diary, July 1, 1914 Read more

  • Vanity Sounds the Horn

    June 28, 2024

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    Music

    The last Those Darn Gnomes album, Calling Whitetails to a Tuned Bow, turns five years old today. Read more

  • Recantate

    June 25, 2024

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    Music

    I’m back from the desert with some new (old) songs. Read more

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Thought:

“

Passing Clouds was the brand of cigarette favored by the great English contralto Kathleen Ferrier. According to one of her early teachers, her magnificent voice was attributed to “a wonderful cavity at the back of her throat.” This was the only explanation given for the purity and power of her voice.

Near the end of her brief life, Ferrier sang Mahler’s symphony “Song of the Earth.” We die, but life is fresh, eternally fresh, was Mahler’s ecstatic conviction. Nature renews herself year after year… for ever and ever.

Ferrier was in tears when she concluded “Song of the Earth,” so distraught that she omitted the final ewig, the final ever.

“

Joy Williams | “Cavity”

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